MEDIA ARTS: HISTORY AND THEORY

Presentation: https://www.canva.com/design/DAG6Zl9L8gE/mt8ylbRc150hWTkBPtGqSA/edit Video: https://www.dropbox.com/scl/fi/i17u6dee9ypmsa8z4sa4m/banana-interview.mp4?rlkey=n7f8jwezgnvpdf49d3my8yty7&st=ulgma0rz&dl=0 Slides:

  https://youtu.be/zbF64n-zWDo

5 Points: Constructivism emerged in post-revolutionary Russia as an artistic movement focused on using abstract, geometric forms and industrial materials to serve society through practical design and production.  Vladimir Tatlin, a founder of Constructivism, developed constructed sculptures like Counter-Reliefs and envisioned monumental works like the Monument to the Third International that symbolized the ideals of the new Communist society.  Aleksandr Rodchenko expanded Constructivist ideas into photography, graphic design, and kinetic sculpture, using bold diagonals, movement, and modern typography to represent a dynamic new world.  Dada was born in Zurich during World War I as a rebellious, anti-war movement that rejected traditional art, embraced chance, noise, absurdity, and performance, and challenged the logic of Western culture.  Marcel Duchamp transformed modern art through his readymades like Fountain, redefining art as an idea chosen by the artist rather ...

Summary Modern art went through major changes with movements like Futurism, led by Marinetti and later connected to Mussolini. Artists such as Boccioni and Giacomo Balla explored motion, while Russolo created the Intonarumori to bring industrial noise into music. In Russia, Rayonnism used rays of light to show energy and a 4th dimension, while Suprematism, led by Malevich, focused on pure feeling and Non-Objective Art, shown in art like the Black Square. Constructivism, started by Vladimir Tatlin and seen in designs like Tatlin Tower, used industrial materials and treated the artist as an engineer. Naum Gabo expanded this with kinetic sculpture. The Bauhaus, founded by Walter Gropius, blended art, craft, and design, emphasizing functionality and simplicity. At the same time, Dada emerged at Cabaret Voltaire with people like Hugo Ball, Tristan Tzara, and artists like Hans Arp, using chance, and Raoul Hausmann, specalizing in collage. Marcel Duchamp challenged tradition by using readymad...

1. Futurism 2. Giacomo Balla 3. Constructivism 4. Supremacist 5. Supremacism 6. Bauhaus 7. Hugo Ball 8. Retinal Art 9. Cabaret Voltaire 10. Readymades 11. Postmodernists 12. Combine 13. Joseph Beuys  14. Etienne Jules Marey 15. Muybridge 16. Louis Le Prince 17. Kinetograph 18. Kinetoscope 19. Cinematograph

  My Prompt: Write a poem with these random words/phrases. Have the poem read 4 lines with a rhyme scheme. Once we started winning championships. No one's interpretation outweighs another. The atmosphere is good, but not exceptional. That openness is intentional. Chat Response: Once we started winning championships, the future felt newly lit and bold, No one’s interpretation outweighs another—every voice a truth to hold. The atmosphere is good, but not exceptional, calm in its gentle transitional, And in every word we share, that openness is intentional. My Prompt: Write a poem with these random words/phrases. Uses them as reference and inspiration. You don't have to have them word for word in the poem. Have the poem read 4 lines with a rhyme scheme. Once we started winning championships. No one's interpretation outweighs another. The atmosphere is good, but not exceptional. That openness is intentional. Chat Response: When victories piled up like long-won championships,...

 Camera Obscura Albrecht Durer Vitruvian Man Leonardo Da Vinci Renaissance Humanism Fresco Petrarch Jan Van Eyck One Point Perspective Modernism Wealthy Merchant Avant Garde Giotto Fauvism Picasso Cubism Abstract Painting Greenberg Nicephore Niepce Etienne Jules Marey Muybridge Semiotics Gutenberg

5 Substantial Points Reproduction destroys the artwork’s “aura.” Once images can be copied endlessly, their original meaning and uniqueness fade. Photography made art more accessible but threatened traditional artists. Copies weakened the idea of a one-of-a-kind artwork. New tools changed how art is made. Each new technology changes how artists think and create. Film introduced a completely new way of perceiving art. Movement, editing, and shifting viewpoints changed visual representation forever. Photography pushed painters toward abstraction. Since photos could capture reality, painters explored emotion, feeling, and imagination instead.  Discussion Question: How is this (early photography) similar to what is happening today with AI? The situation with ai art today is very similar to when photography first came to be. Just as early photographers faced criticism because people didn’t see photos as “real art,” many artists now argue that ai generated work isn’t "real art". Bu...

Summary Technological innovation transformed communication and visual media through the evolution of photography, printing, and early motion pictures. It begins with Johannes Gutenberg’s 1450 printing press, which revolutionized literacy and made mass media possible. Photography evolved from the camera obscura to Niépce’s first permanent photograph and Daguerre’s daguerreotype (1839). Faster methods such as the wet plate collodion process made photography clearer, cheaper, and suitable for portraits and news reporting, including Matthew Brady’s Civil War images. Photography also advanced scientific study through Etienne-Jules Marey’s chronophotography, which captured sequences of motion, and Eadweard Muybridge’s multiple-camera setups that recorded animal and human movement. These led to motion-picture technology, including Muybridge’s zoopraxiscope, Louis Le Prince’s early motion-picture cameras, William Dickson’s kinetograph and kinetoscope, and the Lumière Brothers’ Cinématographe, ...

 Abstraction Art Chat Recreation make an abstract art piece of 4 circles with one large oval connecting them. The lines of the oval cross through the center of the circles. There are 2 triangles inside the oval whose points touch the lines of the oval. The individual shapes in between and created by the lines of the circles, ovals, and triangles, are colored in. The lines of the shapes are all done in marker, the color inside the smaller shapes are filled in with crayon. The oval lines are purple, the first triangle's lines are pink, the second triangles lines are yellow. The first circle is blue, the next green, red, and orange. The colors I listed are the colors of the lines creating the shapes not the inside of the shapes no, not the color of the shape, the color of the lines/borders creating the shapes leave some segments blank can you flip the image horizontally

Summary The Industrial Revolution transformed society and directly reshaped the course of art. As factories, machines, photography, and expanding cities changed everyday life, artists broke away from the rules of the Renaissance and no longer relied on the church or wealthy patrons to dictate what they painted. This shift sparked Modernism, a movement focused on experimentation, personal expression, and new ways of seeing the world. Impressionism captured little moments of life with short brush strokes, while Post-Impressionists like Cézanne, Van Gogh, Gauguin, and Seurat expanded color, emotion, geometry, and symbolism. Symbolism pushed art deeper into dreams, visions, and psychological meaning, rejecting realistic depiction. Fauvism embraced wild, unnatural color and expressive brushwork, and Cubism, created by Picasso and Braque, used multiple geometric planes to show different perspectives at once. These movements ultimately led to Surrealism, where artists like Dalí explored the s...

Reading 5 Points The Renaissance brought back the study of ancient Greek and Roman art, focusing on humanism, balance, and the connection between people and nature. Artists believed that understanding the human form was a way to understand divine order. New techniques like linear perspective, chiaroscuro, and sfumato allowed artists to create realistic space, light, and depth. Painters such as Masaccio and Leonardo da Vinci used these methods to make scenes more lifelike and emotional. Architects including Brunelleschi and Alberti designed buildings with perfect proportion and symmetry, using geometry and mathematics. Works like the Florence Cathedral dome and Pazzi Chapel became symbols of order and reason. Leonardo da Vinci discovered the connection of art and science. His studies of anatomy, nature, and engineering showed how observation and experimentation could improve both knowledge and artistic skill. Artists such as Jan van Eyck and Michelangelo emphasized individuality and emo...

Summary The Renaissance was a period of artistic change that began in 14th-century Italy, providing a shift away from the religious focus of the Byzantine era toward a new interest in humanity, science, and art. Humanism, led by artists like Petrarch, encouraged education and individual thought over church authority. Artists such as Giotto began showing emotion and Naturalism in fresco paintings, breaking from the flat, symbolic style of earlier art. Brunelleschi introduced one-point perspective (linear perspective), giving paintings realistic depth, while Masaccio’s Holy Trinity demonstrated this new spatial technique. Leon Battista Alberti wrote Painting, Sculpture, and Architecture Treatises, outlining principles of proportion, perspective, and balance that defined Renaissance art. Wealthy people like the Medici family supported artists, helping them grow from average craftsmen to respected intellectuals. The High Renaissance featured Leonardo da Vinci, Michelangelo, and Raphael, wh...